blog.chaddickerson.com blog.chaddickerson.com
This really rang true for me, especially: "I don’t sit there and think about what other people might think about what I’m writing — just the person who emailed me. To me, this is closer to what true friendship is like." I feel like we've collectively forgotten what private one-on-one relationships are.
washingtonpost.com washingtonpost.com
We have recently had regular E. coli outbreaks while the FDA was fully staffed. It seems like a bad idea to understaff them right now.

Update (1/11): Oh good.
the1959project.com the1959project.com
This looks like another great day-by-day project to follow in 2019. This is my favorite year in jazz music and it's already fascinating a few days in. [via kottke] I mean look at these albums! Don't like jazz? That's jazz!
audubon.org audubon.org
image from audubon.org
The details in Red Dead Redemption 2 are part of what makes it so fun to play. The Audubon Society sees what they've done there. I agree on the sound design—as you change environments, the sounds of the natural world change. The game simulates 178 different animals: Red Dead Redemption 2 Full Compendium and constantly catching glimpses of them makes the world feel more real. I don't spend time birding in RDR2 but it's fun to know I could if I wanted to.
dnd.wizards.com dnd.wizards.com
image from law.duke.edu
I got this fun nostalgia bomb of a book as a Christmas present. It includes the visual history of iconic D&D monsters, campaign settings, and pop culture crossovers. I'm probably the target market. I grew up in the 80s playing this game and I play the latest version today. Seeing the evolution of the game over time is fascinating.

For an online equivalent, follow Old School FRP which posts art and ephemera from 80s role playing games.
law.duke.edu law.duke.edu
image from law.duke.edu
Some art from 1923 is finally entering the US public domain after a 20-year extension passed by congress in 1998. In addition to a partial list of works here, check out the What Could Have Been section to feel the impact of that 1998 decision. They also have a good page about Why the Public Domain Matters.
write.as
Really looking forward to following along with Darius Kazemi's year-long dive into tech history via RFCs. He kicked things off today with his look at RFC-1 about how host servers should communicate. (Also my first look at Write.as which looks like a nice blogging platform with fediverse support.)
Home Corvallis Advocate
Fellow Corvallians, this is a nice stroll through downtown. John M. Burt points out some bits of Corvallis history that we can still see today.
pastemagazine.com pastemagazine.com
image from pastemagazine.com
Need some design inspiration? This is a great collection of comic book covers from 2018. I added quite a few to my list of comics to find. It also reminded me that I loved the disorienting Why Art? from earlier this year and I don't think I mentioned it here.

My Year in Social Media

Last year around this time I talked about trying to stop contributing to corporate social media: Facebook-Free in Twenty Eightee-n. That went ok. I stopped using Instagram altogether. I posted three pictures to Facebook in 2018. I deleted my Twitter account in August (Twitter Breakup) and then went back and claimed my username so it couldn't be used for evil. (I got my username back too late to save the 11-year archive which is mildly annoying—but also ok.) And I do still read Twitter ocassionally through a significantly smaller window. I didn't post to Flickr at all. (That might change now that they're under new ownership.)

So that's some kind of progress. How is my current relationship with social media? To put it in meme terms:



Leaving social media does not make it go away. If you work on the web in any capacity (I do), the big sites like Facebook, Twitter, and Google are omnipresent. It seemed like each week of 2018 brought a new jaw-dropping revelation of Facebook mismanagement. Google leaked user data, hid it, and employees were in the streets asking for fair working conditions. Twitter is a platform for Nazis because they incentivize engagement above all things and do not adequately handle abuse. I agree with Anand Giridharadas who posted this Twitter thread: "Trying to fight a predatory, politically connected monopoly through heroic personal responsibility doesn't work." We need regulation.

So that's depressing! I wouldn't call it heroic responsibility, but I did change my online habits quite a bit in 2018. I now read and post social messages via Mastodon which is a distributed kinder, gentler Twitter. I wish more people would make the switch so I could close my Twitter reading window altogether. I stopped posting photos online which is something I used to enjoy. I'll make an effort to post them here more frequently.

In October I did start posting more frequently to this site which means I also started paying more attention to my site metrics. Last week I made a snarky post about Google Analytics which was my poor way of processing this. I deleted it because the fact is, Google Analytics is a necessary tool if you work on the web. Necessary, but I don't like the way it turns people into numbers. So that's a tension I'm trying to live with and the answer might be that I shouldn't use web marketing tools for personal projects. I'd like to have a way to know if what I'm writing here is being read and resonating, but not if it means getting alerts and notifications that traffic is dropping, engagement is lower, and people are bouncing away forever. There has to be a more humane way to visualize and engage with web audiences.

My wish for social media in 2019 is for new leadership at all of the major web companies. I don't think we'll ever see them disappear, nationalized, or regulated in a meaningful way. I'd like them to have a less central role in how we create and share online. I think some new leaders could steer the companies away from growth-at-all-costs toward a more ethical relationship with users. I'd like to see them usher in the era of maintenance! That's where they take the amazing tools they've built and optimize them to work within society.

Best Games of the Year

This is my completely arbitrary take on my favorite games from this year.

The top honor goes to Dungeons & Dragons 5th Edition.

Curse of Strahd cover

Specifically, Curse of Strahd which my game group has been playing for all of 2018 and probably most of 2017. It has a good balance of role-playing, puzzles, and fighting and the atmosphere is just different enough from the default D&D world to keep you guessing without feeling completely foreign.

Best Board Games

Blood Rage cover

I've had a lot of fun playing Blood Rage lately. It's set in the land of Norse myth and at first glance it looks and sounds like a classic player vs. player fighting for area control game—and it is that! But there's a surprising amount of strategy involved. There are some great mechanics around losing area control which makes it tough to know how to block other players. It's a great combination of analysis and action.

Root cover

Root is another very different kind of area control game. It has asymmetrical play which means each player is using different mechanics to get victory points. It takes some getting used to and I had to play through a game before I even started thinking about how to optimize my turn. Having an experienced Root player on hand to answer questions is also a plus. Once you make it though those barriers, the game has a lot of turns and surprises and gives you a lot to think about. I found myself going over potential Root strategies days after playing.

Catan cover

The classics are classics for a reason. I played a lot of Settlers of Catan this year because it's my family's favorite game. Even kids who can't read can get the hang of Catan pretty quickly. It's also a great way to introduce someone to Eurogames if their only experience with board games is Monopoly and Scrabble. (Which are fun too but not the full spectrum of what's possible!)

Best Card Games

The Mind cover

A friend brought a self-printed DIY version of The Mind to a game night because he'd heard it was popular in Germany and there wasn't a way to get a copy in the US. We played this weird game where you put cards in numeric order with sly communication and luck and we were genuinely cheering our successes. I'm not sure it counts as a game, but whatever it is it's dramatic and everyone has fun.

Keyforge cover

I've been having fun playing KeyForge with my son as a nice change of pace (for me) from Magic. KeyForge has a clever design where every deck has a unique set of cards and is evenly matched against other decks. The deck names are algorithmically generated, sometimes with humorous results. It is a nicely designed resource-gathering game where you can use cards without an energy-style mechanic. It feels a lot lighter than Magic but it has some complexity with different styles of play (fighting vs. stealing vs. spells) possible through the different factions. If you think you'd enjoy Magic without the deck building/collecting aspects you'll probably enjoy KeyForge.

That's it—happy gaming!
kottke.org kottke.org
Good evening Newsletter Wednesday fans! :crickets: If you’re reading this you’re probably already familiar with kottke.org, one of the last surviving general interest weblogs (or “blogs” for short). It survives because Jason finds amazing things and describes them in ways that make us amazed with him. What you might not know is that he teamed up with frequent kottke guest-blogger Tim Carmody to produce a weekly newsletter recap called Noticing. Even though I keep up with the site in near real-time, I appreciate the way the weekly version ties posts together into themes. The newsletter has been going for a year now and it’s always a must-read.
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